As many of you know, this autumn Evolved Publishing will be releasing my first novel. The past few months have been a whirlwind of getting to know the Evolved team and editorial work. It’s been an eye-opening experience, and I’m so grateful to have the curtain lifted on this side of the business. But that’s a post for another day.
Parallel to the editorial decisions, there have been discussions about marketing, particularly cover and title considerations. This is a whole new ball game for me. Briefing a cover artist, what?! A title works in tandem with a book cover. They are like a pair of superheroes: Batman and Robin, Superman and Lois Lane, Danger Mouse and Penfold. They work together to attract your ideal reader.
Sometimes a title falls on your lap at the beginning of a project, and you know it is a perfect fit. More often, however, it’s a struggle to do justice to something you have been working on for months or even years. In these cases, a blueprint on how to find a title can be helpful. With the caveat that I’m no expert, I thought I’d tell you about my approach to picking a title. ...
Every now and then, a self-identified writer will say something that makes the rest of us cringe. Writers come from all walks of life. There are no prerequisites to becoming a writer, except passion and dedication, so there aren’t many things that writers have to do in order to write good stories. But there are a few. Here are some statements that are sure to generate eye rolls from a room full of writers.
1. I don’t have time to read.
Stephen King said, “If you don’t have time to read, you don’t have time to write.” Are you really going to argue with the king? Seriously, a writer saying they don’t read is like a painter saying they keep their eyes closed all day. If you don’t study your craft, how can you hope to create anything you’re proud of? Of course, there are times when life takes over and it becomes difficult to fit anything except breathing into the day. But writers are readers, too, and most of us will find a way to devour at least a few pages before bed. ...
Writers who are short on time need to be as efficient, effective, and productive as possible.
Writing sessions should be spent writing. That's why they're called "writing sessions". But oftentimes, things feel out of place, making effective writing time during designated writing sessions difficult. It's easy to let procrastination interfere, or to let excuses keep you from meeting your writing goals.
We need to set aside some time, whether it is five minutes or 15 minutes, before our writing sessions so that we can be prepared when we actually sit down to write.
Have you ever sat down to write, but couldn't think of anything to write? Or have you ever sat there with no words coming out because you weren't sure which scene you were going to write? Or maybe you wanted to write a particular scene, but some other scene wanted attention first and you fought with it?
I highly recommend setting aside some time to figure out your plans for your next writing session. That way, when you sit down to write, you can work on that plan and knock out a writing goal.
To help you have a productive writing session, here are some things you should do before you begin to write. ...
Anyone who has ever tried building a fictional world from scratch has wished they had a road map, a compass, a starting point. This video is exactly that. TedEd videos pair experts with professional animators to create simple, entertaining videos to help you through difficult topics. In this installment, Kate Messner discusses what exactly makes worlds like JK Rowling’s so compelling and provides tips for how to create your own fictional world—one readers will fall into and never want to leave.
Kate Messner is an award-winning author whose books for kids have been New York Times Notable, Junior Library Guild, IndieBound, and Bank Street College of Education Best Books selections. The Brilliant Fall of Gianna Z. was the winner of the 2010 E.B. White Read Aloud Award for Older Readers. Kate also spent fifteen years teaching middle school and earned National Board Certification in 2006. This video was animated by Avi Ofer. ...
It’s a lean time for writers, as arts funding shrinks on all sides, journalists are laid off in droves, broadcasting budgets are slashed, and book publishing remains in a state of seemingly unceasing upheaval.
It often seems as if the age of living by the pen may be brought to a close by an increasingly rapacious approach to human affairs, interested only in hard numbers and bottom lines. Australian writers Frank Moorhouse and Ben Eltham have recently proposed several schemes to give writers a living wage to support their work.
And so it’s timely to reflect on some of the strange, desperate and occasionally dangerous ways in which writers have historically lived, if not always by their pens, then at least on their wits. Here’s twelve ways in which classics of western literature were written.
When my first novel was accepted by HarperCollins — the HarperCollins, formerly Harper & Row, publisher of so many authors whom I adored — I thought that all my days of rejection were over. When my book began to be sold to foreign publishers via Harper’s Foreign Rights division, earning out the HarperCollins Advance within 6 months of acceptance, i.e., earning out its Advance before the book was published, I thought I was on the road to full-time writing. When the pre-publication and publication reviews for the first novel started pouring in — all good, and some absolutely stellar — I thought that all my years of hard work and ceaseless rejection had finally earned me a somewhat easier writing life.
I couldn’t have been more wrong.
The subsequent rejections started almost immediately.
With my editor. ...