I work with all different types of authors, those who are hoping to secure a publishing deal, those who are chasing the self-publishing dream and even a couple who have gone on to secure a deal with one of the big five (or six, or whatever it is). Some of these writers are brilliant, some are really talented, some are steady, dependable story tellers who can spin a good yarn, some aren’t that great, some have accepted help and advice and have improved in leaps and bounds, a few I have advised to go right back to the drawing board and there have been a handful who I have had to advise that writing is perhaps not the path for them (this is at the sample edit stage – I never take a penny from authors in this situation).
You might be surprised to know that most of the authors that I’d put in the first three categories are self-published.
Some of these have chosen this path and some have had it foist upon them, as it were, as they have been unable to find representation. Plenty of them are far better, more skilful storytellers than some of those that have secured representation and publishing deals.
Now, I’m never surprised when people I know who aren’t authors sneer a bit at self-publishing. These ‘outsiders’ don’t really know how the publishing world works or how it’s changed in the last few years. But I am very surprised and very disappointed and angry when other authors sneer at self-published writers.
I mean no disrespect to all the very lovely writers I know and who I’ve worked with who have a publisher when I say that just because you’ve secured a deal it doesn’t mean you’re a better writer than those who haven’t. Because it doesn’t. You might be a better writer than some of them, but many of them will be better writers than you.
Last week I read two books. One was by a self-published author. Another was by an author who has just been published by a small independent. The self-published book was brilliant. It was a real page-turner, professionally presented, skilfully written and thoroughly enjoyable. The other one, while not terrible, had far too many typos than are acceptable, the story dragged somewhat, and I found myself skipping huge sections.
I have read so many books recently that are ‘properly published’ and that are terrible. I’ve been unable to review quite a few of them. This isn’t always the author’s fault – quite often they are let down by these companies with poor editing. But I have also witnessed a few of these authors bragging all over social media about how wonderful they are and how they are proper writers, and how self-published authors can’t actually be that good, can they?
I really despise this kind of attitude. It’s a tough world out there for writers. We should be supporting each other, not crowing about our good luck and looking down on other writers who may have chosen self-publishing, or, even if they didn’t, might be much better writers.
I have one particular client whose books are an absolute joy to read, right from the first draft. They are intelligent, beautifully written, skilful, concise, the characterisation is a joy. This client is retired and is finally indulging his passion for writing. Can he get an agent? No. No one’s interested. Does that make him a bad writer, who obviously isn’t good enough? No. Absolutely not. It just means that the agents can’t see how to market him, how to pigeonhole his writing. He doesn’t have a social media presence, because he genuinely doesn’t want to do that. He isn’t a celebrity. And he’s far too sensible to be sucked into a lame deal with a two-bit company who’ll do nothing for him just so he can tell people he’s published.
So he goes on writing beautiful stories that I can’t wait to edit, and he makes me absolutely love my job.
So authors, do us all a favour. Learn when to keep your mouths shut. Be sensitive, be kind, be helpful. Celebrate your success, but don’t be a bragger. It’s a long way down from that ivory tower.
Originally published at AllisonWilliamsWriting.com
Allison Williams trained as a journalist and currently works as a freelance editor and writer, with articles published both online and in a variety of print publications. She has edited books in a variety of genres, including dystopian, memoir, erotica, YA, fantasy, short stories, poetry, and business. As part of her master’s degree, she wrote her first historical novel, The Black Hours, based on the notorious Witchfinder General, Matthew Hopkins. She has also written a novella, Blackwater.
Photo by Paul Bence
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